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data: 22/12/04 mastering update

yesterday we mastered our album with the deliciously fruity simon at the mouthwateringly flambed exchange in the delectably flavoured camden. i don't know if you've ever the opportunity to be awake in camden at 10am - but let me assure you it was a simply magical sight - a crisp, cold sunny morning, wherein bright-eyed beggars happily danced with smooth-skinned skateboarders who were using the frozen vomit from the night before as makeshift 'ramps' from which they 'ollied' over 'dog turds'. oh, it's truly magnificent, i can tell you; somehow so attractive and enchanting that it's all the way back out the other side - similar, somehow, to the sight of briget fonda all done up like an inverse g0ff in the snow queen.

 

and don't get me wrong; i don't flatter myself that any of you actually care about my observations, elucidations or procrastinations regarding camden in the AM (or indeed, about any other subject, for that matter) - but i hereby confess to enjoy teasing you with the cock of genuine new miocene information, only to tuck it snugly back behind the towel of digression. if i could think of an adequate anecdote to bore you with, i would do so without so much as a second thought. unfortunately i can't think of one, so there's nothing for it but to plunge back into the fray.

 

for those interested in the details, the exchange is a superlative mastering studio, with some of the finest audio engineers in the country. the guy we worked with, simon, specialises in dnb, and has been responsible for mastering some of the best music and the best sounding music of the last fifteen years. here's a short list: aphex twin, dj shadow, throbbing gristle, dillinja/evol intent/andy c (i KNOW it's cheesy and i don't care, it sounds fantastic in a club when you're chuffed to the wazzers on happy cake), bjork - even our old touring buddies the lostprophets. swear to g*d.

so you can imagine just how excited he was to work with us - some might even say that his career, in many ways, was building up to this one crowning, defining moment - when, finally, he got to master the fully completed, 100% genuine, accept no imitations, send no money now, brand spanking new miocene album. he even liked it, for xmas's sake; and let me tell you, if a guy like that likes our album, then none of you fuckers are in any position to argue. i fully expect this album to redefine the way people listen to music in this country, and if it doesn't get to number one in its first week i shall hold you all individually and personally responsible*.

let's step aside from my usual gobshite banter for a second to briefly say something about john peel. some of you might want to skip to the end, which is a good bit and has swearing in it. i don't do this kind of thing very often because a) i don't want to be accused of sentimentality or cheese, and b) (mainly) because most of the people in the public eye who die are not worth caring about. mentioning no names of course; the one thing i'll say about that shooting is that the REAL tragedy consists of the fact that no-one from slipknot was even INJURED. anyhoo. now that everyone has stopped clamouring for everyone else to listen to their cover of 'teenage kicks', i have to give posthumous respect from the miocene to st. john peel; to list all the artists and bands i first heard and subsequently loved due to him would be necessarily incomplete and unnessarily insulting (he wasn't playing that music for ME, I was just lucky enough to hear him do it); suffice it to say that there is now a gap in all our lives which no-one else will ever fill.

*salutes*

so that's it. just in case you're wondering, this bastard album is still untitled - leave your suggestions in the comments box on www.myspace.com/miocene where i can read them and you never know, we might steal your idea and take all the credit. just imagine! here are some of my favourites to get you going:

not paid to care
twelve grand don't come for free
clean hands save lives
rebuilding the amen
like me for what i listen to
dignitas obscuritum

release scheduled for march but our sainted lord above knows how that goes. we'll probably be eaten by sharks by then. we must've jumped one by now.

toodleoo.

-b.

*reading to the end of this sentence signifies your tacit acquiescence to any tortures we may choose to subject you, your family, or your pets, in hereby and for perpituity throughout the universe and until the end of time, to. Rah.

 

info: ben

 

 

 

 

 

(c) & (p) 2005 www.miocene.org & www.danielemile.co.uk